Interviews

Landscapes of the Mind | William Mapan

Credit: William Mapan, État des lieux, 2026. Courtesy of the artist and Art Blocks. Photography by Federico Floriani

Landscapes of the Mind | William Mapan

The artist is showing two new series, Paysages Plausibles and Dances on Shadows, with Art Blocks at Art Basel Zero 10

The Machine and the Gardener | Carsten Nicolai

Credit: Alva Noto, 2025. Courtesy of Carsten Nicolai and Mutek Japan. Photography by Shigeo Gomi

The Machine and the Gardener | Carsten Nicolai

The artist and musician also known as Alva Noto reflects on his hybrid practice and Berlin after the fall of the wall

From Code to Canon | The Chapters of Digital Art

Credit: DADA, Creeps & Weirdos, 2017. Courtesy of the artist and ArtMeta

From Code to Canon | The Chapters of Digital Art

A new show of digital masterpieces at Art Basel Zero 10 is introducing collectors to 70 years of overlooked history

Future Relics | Ranbir Sidhu

Credit: Ranbir Sidhu, Asteroid 3033 X1, 2025. Installation view, “No Limits”, Art Gallery of Ontario. © Ranbir Sidhu. Courtesy of the artist. Photography by AGO

Future Relics | Ranbir Sidhu

The Toronto-based artist explores new border ecologies through a South Asian prism

The Voyager | David Em

David Em, Transjovian Pipeline, 1979, Jet Propulsion Laboratory. Created using NASA software written by Dr James F. Blinn. © David Em

The Voyager | David Em

The trailblazing artist discusses the evolution of digital image-making from Xerox PARC to NASA and generative AI

NODE | A Physical Space for a Digital World

Credit: Beeple, Diffuse Control, 2025. Installation view, “BEEPLE: / INFINITE_LOOP”, NODE, Palo Alto. Photography by Felix Uribe

NODE | A Physical Space for a Digital World

The Silicon Valley institution’s founders share what they have learnt from its opening shows with Larva Labs and Beeple

On Collecting by 100 collectors | EDOUARD on NFT preservation

Credit: William Mapan, Sketchbook B #28, 2025. Courtesy of the artist and Edouard

On Collecting by 100 collectors | EDOUARD on NFT preservation

The creator of the risk-auditing platform NFTimeless discusses storage, preservation, and digital art collecting

Landscape as Memory | Connie Bakshi’s “Black Water”

Credit: Connie Bakshi, (Still from) Between These Black Waters (2026). Courtesy of the Artist and EPOCH Los Angeles

Landscape as Memory | Connie Bakshi’s “Black Water”

Nora N. Khan talks to the artist about her web-based interactive film Between These Black Waters

Nora N. Khan and Connie Bakshi

Carl Gombrich on Art and Learning in the Digital Age

Credit: Juan Covelli, (Still from) Speculative Treasures — Tayrona, 2021. Courtesy of the artist

Carl Gombrich on Art and Learning in the Digital Age

The scholar and grandson of E. H. Gombrich discusses the evolution of the artist and the power of interdisciplinary education

María Angélica Madero

Art After Justice | TJ Demos

Credit: The Otolith Group, (Still from) Infinity Minus Infinity, 2019. © The Otolith Group. Courtesy of the artists

Art After Justice | TJ Demos

The theorist behind Radical Futurisms discusses the artists confronting catastrophe and imagining a more livable future

Painter of Machines | Miltos Manetas

Credit: Miltos Manetas, PERIPHERALS (Madonna and Child), 1997. Courtesy of the artist

Painter of Machines | Miltos Manetas

The artist and provocateur discusses contemporary art’s changing attitude to technology with app sculptor Damjanski

On Screens | Jefferson Hack and Susanna Davies-Crook

Installation view of “Paradigm Shift” at 180 Studios with work: Tiger Strike Red (2022) by Sophia Al-Maria. Photography by Feiyang Xue, 180 Studios, 2025. Courtesy of the artist and Project Native Informant

On Screens | Jefferson Hack and Susanna Davies-Crook

The curators of a landmark survey of video art discuss the screen as a stage for performing identity and remixing culture

Jehan Chu on the Collective Stewardship of Blue-Chip Art

Beeple, HUMAN ONE (2021-present). Installation view of “BEEPLE: / INFINITE LOOP” at NODE, Palo Alto. Courtesy of the artist. Photography via x.com/kukulabanze

Jehan Chu on the Collective Stewardship of Blue-Chip Art

The collector announces that he and Pablo Rodríguez-Fraile have co-owned Beeple’s HUMAN ONE with Ryan Zurrer since late 2022

The Interview | Maya Man

Maya Man, “StarQuest (Performance-Lecture)” (2026) co-presented by bitforms gallery, SOOT gallery, and the Future Humans program at the Berggruen Institute at L.A. Dance Project. Photography by Yuchi Ma

The Interview | Maya Man

The artist discusses the role played by language and randomness in her dance-focused universe “StarQuest”

Art Blocks Embraces AI Agents

The Crowley Theater, Marfa, Texas. The Art Blocks community gathers for its annual Marfa Weekend. Photography by Joana Kawahara Lino

Art Blocks Embraces AI Agents

The generative art platform’s CPO, Jordan Lyall, on how the company “became a start-up again” to shape an agentic future

Altered Image | Nancy Burson

Credit: Nancy Burson, Quantum Entanglement Painting G (With Color) (detail), 2025. Courtesy of the artist and Heft Gallery

Altered Image | Nancy Burson

The trailblazing artist behind facial morphing technology discusses her Quantum Entanglement Paintings with Jeni Fulton

On Collecting | Ryan Zurrer, owner of 1OF1

Larva Labs, CryptoPunk # 6965, acquired by Ryan Zurrer in 2025. The work is dubbed “Jungle Punk” by the collector, who uses it as his online picture profile. Courtesy of Ryan Zurrer

On Collecting | Ryan Zurrer, owner of 1OF1

The venture capitalist has built up a unique collection founded on deep connections to living artists

“Contemporary Perception is Hybrid” | Troika

Installation view of “Chapter VIII: Hallucinations” at LagoAlgo, Mexico City, 2026, with work: Ultrared, Evergreen, Ocean Blue (2024) by Troika. Courtesy of the artist

“Contemporary Perception is Hybrid” | Troika

Following the launch of their new show with Trevor Paglen, dynamic trio Troika discuss the ancient origins of AI

Hans Ulrich Obrist on David Hockney

“David Hockney: A Year in Normandie and Some Other Thoughts about Painting”, installation view, Serpentine North, 2026 © David Hockney. Photography by Right Click Save

Hans Ulrich Obrist on David Hockney

The Artistic Director of Serpentine, London, discusses the celebrated artist’s first exhibition at the gallery

Dancing with Algorithms

Alexander Whitley, Rite of Spring, 2026. Photography by Oskein

Dancing with Algorithms

The remaking of a Modernist masterpiece using AI epitomises the choreographer Alexander Whitley’s hybrid practice

The Art of Hacking Surveillance Systems

!Mediengruppe Bitnik, Random Darknet Shopper, installation view, “The Darknet — From Memes to Onionland. An Exploration”, Kunst Halle St Gallen, 2014. Photography by Florian Bachmann

The Art of Hacking Surveillance Systems

Traditional art locations are bypassed as control is turned into play by the artists OONA and !Mediengruppe Bitnik

My Frankenstein | David Salle’s AI Experiment

David Salle. Photography by Robert Wright

My Frankenstein | David Salle’s AI Experiment

Working with a custom AI model sharpens the artist’s critical take on histories of painting

On Indigenous Wisdom and Technoshamanism

Kalie Granier in collaboration with Ohlone Costanoan Esselen Nation, The Nature Conservancy, and MBARI-Monterey Bay Aquarium Research Institute, A’ai, 2023. Courtesy of the artist

On Indigenous Wisdom and Technoshamanism

An artist, a tribal chairwoman, and a media theorist on how art can support land reclamation and language revitalization

Swirls of Fortune | The Art of Clowns

Lene Vollhardt, in character as the Pierrot-like Network Clown. On-set portrait for Swirls of Fortune (2025). Courtesy of the artist and The Sphere. Photography by Polinkasam

Swirls of Fortune | The Art of Clowns

Lene Vollhardt’s film tells how working with circus performers has inspired the art collective The Sphere

The New Museum Goes Back to the Future

Julien Creuzet, (Still from) ZUMBI ZUMBI ETERNO, 2023. A work included in “New Humans | Memories of the Future”, New Museum, New York, 2026. Courtesy of the artist and Andrew Kreps Gallery, New York

The New Museum Goes Back to the Future

The New York institution’s artistic director, Massimiliano Gioni, on how the reopening museum can trace the impact of new technologies on art history

Follow us on IG

@Right_ClickSave